{"id":6799,"date":"2026-08-13T07:07:29","date_gmt":"2026-08-13T07:07:29","guid":{"rendered":"https:\/\/staging.artvisionawards.com\/?p=6799"},"modified":"2026-08-13T07:08:24","modified_gmt":"2026-08-13T07:08:24","slug":"bien-debuter-avec-le-materiel-photographique-en-2026","status":"publish","type":"post","link":"https:\/\/staging.artvisionawards.com\/fr\/getting-started-with-photography-gear-in-2026\/","title":{"rendered":"Bien d\u00e9buter en photographie en 2026 : le guide ultime des appareils hybrides pour les d\u00e9butants"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/limova-public-v2.s3.eu-central-1.amazonaws.com\/blog-images\/blog-image-1786428555357-6dnrn7rb.jpeg\" alt=\"A beginner photographer holding a modern compact mirrorless camera, framing a beautiful outdoor landscape shot during the golden hour\" \/><\/p>\n<p>For years, the smartphone in your pocket has likely been your primary tool for capturing memories. Equipped with computational photography, multi-lens arrays, and instant sharing capabilities, modern phones are undeniably convenient. However, many aspiring creators eventually hit a creative ceiling. Whether it is the lack of true optical depth, poor low-light performance, or the inability to swap lenses for different perspectives, there comes a point where dedicated <strong>photography gear<\/strong> becomes essential to elevate your craft.<\/p>\n<p>Stepping into the world of standalone cameras can feel incredibly overwhelming. With an endless stream of technical jargon\u2014like APS-C versus full-frame, phase-detection autofocus, and lens mounts\u2014it is easy for beginners to suffer from analysis paralysis. Furthermore, recent industry shifts in 2026 show a growing trend of photographers simplifying their setups, a phenomenon highlighted by <em>The Cotswold Photographer<\/em> in their discussion on the &#8220;Great Camera Gear Cull&#8221; [1]. This movement underscores a vital lesson for beginners: you do not need to overspend on heavy, complex professional systems to get exceptional results. Starting with a lightweight, intuitive system is the smartest path to mastering the fundamentals.<\/p>\n<p>This guide provides a comprehensive specifications and market analysis of the best entry-level <strong>mirrorless cameras<\/strong> available today. We will break down the essential terminology, compare the leading systems from Nikon, Canon, and Sony, and help you choose the perfect equipment to kickstart your photographic journey.<\/p>\n<hr \/>\n<h2>Table of Contents<\/h2>\n<ol>\n<li><a href=\"#understanding-the-fundamentals-why-mirrorless\">Understanding the Fundamentals: Why Mirrorless?<\/a><\/li>\n<li><a href=\"#the-entry-level-contenders-specifications-and-analysis\">The Entry-Level Contenders: Specifications and Analysis<\/a>\n<ul>\n<li><a href=\"#nikon-z50ii-the-high-tech-all-rounder\">Nikon Z50II: The High-Tech All-Rounder<\/a><\/li>\n<li><a href=\"#canon-eos-r50-the-ultra-compact-gateway\">Canon EOS R50: The Ultra-Compact Gateway<\/a><\/li>\n<li><a href=\"#sony-zv-e10-ii-the-video-first-hybrid\">Sony ZV-E10 II: The Video-First Hybrid<\/a><\/li>\n<\/ul>\n<\/li>\n<li><a href=\"#head-to-head-camera-comparisons\">Head-to-Head Camera Comparisons<\/a><\/li>\n<li><a href=\"#key-performance-factors-explained-for-beginners\">Key Performance Factors Explained for Beginners<\/a><\/li>\n<li><a href=\"#essential-starter-accessories-building-your-kit\">Essential Starter Accessories: Building Your Kit<\/a><\/li>\n<li><a href=\"#frequently-asked-questions-faq\">Frequently Asked Questions (FAQ)<\/a><\/li>\n<li><a href=\"#key-statistics\">Key Statistics<\/a><\/li>\n<li><a href=\"#the-balanced-verdict\">The Balanced Verdict<\/a><\/li>\n<\/ol>\n<hr \/>\n<h2>Understanding the Fundamentals: Why Mirrorless?<\/h2>\n<p>If you are browsing <strong>camera reviews<\/strong> online, you will quickly notice that Digital Single-Lens Reflex (DSLR) cameras have largely stepped aside for mirrorless technology. Unlike DSLRs, which use a physical mirror mechanism to reflect light up into an optical viewfinder, mirrorless cameras send light directly from the lens to the digital image sensor.<\/p>\n<p>This design shift offers several massive advantages for beginners:<\/p>\n<ul>\n<li><strong>What You See Is What You Get (WYSIWYG):<\/strong> The electronic viewfinder (EVF) or rear LCD screen shows you exactly how your exposure, colors, and depth of field will look <em>before<\/em> you press the shutter button.<\/li>\n<li><strong>Compact and Lightweight:<\/strong> Without a bulky mirror box, mirrorless bodies and lenses are significantly smaller, making them perfect for travel and daily carry.<\/li>\n<li><strong>Advanced Autofocus:<\/strong> Mirrorless systems utilize the main image sensor for focusing, allowing manufacturers to implement sophisticated artificial intelligence and subject-tracking algorithms directly onto the sensor.<\/li>\n<\/ul>\n<p>For beginners, the most cost-effective and practical starting point is the <strong>APS-C sensor format<\/strong> (often called a &#8220;crop sensor&#8221;). These sensors are smaller than &#8220;full-frame&#8221; sensors but are roughly 13 times larger than the sensors found in standard smartphones. This physical size difference is the single biggest factor in achieving clean low-light photos and beautiful, natural background blur (bokeh).<\/p>\n<hr \/>\n<h2>The Entry-Level Contenders: Specifications and Analysis<\/h2>\n<p>To help you navigate the current landscape of beginner <strong>photography equipment<\/strong>, we have conducted an in-depth analysis of three standout entry-level mirrorless cameras. Each represents a unique philosophy on how a beginner should start their journey.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/limova-public-v2.s3.eu-central-1.amazonaws.com\/blog-images\/blog-image-1786428560021-vn0thyqz.jpeg\" alt=\"A side-by-side product comparison layout showing the Nikon Z50II, Canon EOS R50, and Sony ZV-E10 II, highlighting their relative sizes and physical button layouts\" \/><\/p>\n<h3>Nikon Z50II: The High-Tech All-Rounder<\/h3>\n<p>Released as a major update to Nikon&#8217;s APS-C lineup, the <strong>Nikon Z50II<\/strong> is built around a 20.9-megapixel sensor and inherits the powerful EXPEED 7 processor found in Nikon&#8217;s flagship professional cameras. This makes it an incredibly capable option for beginners who want professional-grade autofocus capabilities without the professional price tag.<\/p>\n<ul>\n<li><strong>The Strengths:<\/strong> The inclusion of the EXPEED 7 processor brings Nikon&#8217;s advanced &#8220;3D tracking&#8221; autofocus system to an entry-level body. It can automatically recognize and track nine different subject types, including people, animals, birds, and vehicles. It also features a fully articulating touchscreen and a significantly upgraded electronic viewfinder that reaches a bright 1,000 nits. For hybrid creators, it offers 4K video oversampled from 5.6K for pristine clarity.<\/li>\n<li><strong>The Limitations:<\/strong> Unlike some of its competitors, the Z50II&#8217;s sensor does not feature In-Body Image Stabilization (IBIS), meaning you must rely on optically stabilized lenses (VR) to reduce camera shake. Additionally, shooting in 4K\/60p introduces a noticeable 1.5x crop, and battery life is relatively modest compared to full-frame alternatives [2].<\/li>\n<\/ul>\n<blockquote><p>&#8220;The Nikon Z50II is a very competent all-rounder for both stills and video. Its limited battery life dents its otherwise strong performance for video but overall it&#8217;s an enjoyable camera to shoot with.&#8221;<br \/>\n\u2014 DPReview<\/p><\/blockquote>\n<h3>Canon EOS R50: The Ultra-Compact Gateway<\/h3>\n<p>The <strong>Canon EOS R50<\/strong> is designed explicitly for smartphone upgraders and casual content creators. Weighing a mere 375 grams (including battery and memory card), it is one of the most portable interchangeable-lens cameras on the market [3].<\/p>\n<ul>\n<li><strong>The Strengths:<\/strong> Canon&#8217;s Dual Pixel CMOS AF II system is legendary for its ease of use, making eye and face tracking effortless for beginners. The camera produces gorgeous, warm skin tones straight out of the camera, minimizing the need for complex photo editing software. It also shoots uncropped 4K video at up to 30 frames per second, oversampled from a 6K area [4].<\/li>\n<li><strong>The Limitations:<\/strong> The physical body is incredibly small, which can feel cramped for users with larger hands. The camera has very few physical dials, forcing you to rely heavily on the touchscreen menu to change settings. Furthermore, Canon&#8217;s native RF-S (APS-C) lens selection remains somewhat limited, meaning you may eventually need to purchase larger, more expensive full-frame RF lenses as you grow.<\/li>\n<\/ul>\n<blockquote><p>&#8220;The Canon EOS R50 delivers in nearly all areas, most importantly photo quality and autofocus. Full-width 4K video with 10-bit HDR are big pluses, as well. Its controls are tight, the kit lens so-so, and 4K video suffers from noticeable rolling shutter.&#8221;<br \/>\n\u2014 Jeff Keller &amp; Richard Butler, DPReview<\/p><\/blockquote>\n<h3>Sony ZV-E10 II: The Video-First Hybrid<\/h3>\n<p>For beginners whose primary interest is vlogging, YouTube, or TikTok, the <strong>Sony ZV-E10 II<\/strong> represents a highly specialized tool. It strips away traditional elements like an electronic viewfinder to prioritize video-centric hardware and a superior lens ecosystem.<\/p>\n<ul>\n<li><strong>The Strengths:<\/strong> Equipped with a 26-megapixel Backside-Illuminated (BSI) sensor, the ZV-E10 II delivers exceptional image quality and low-light performance. It records high-quality 10-bit video, allowing for advanced color grading, and features Sony&#8217;s industry-leading autofocus tracking. Crucially, it uses Sony&#8217;s E-mount, which boasts the largest selection of affordable third-party lenses (from brands like Sigma, Tamron, and Viltrox) of any mirrorless system.<\/li>\n<li><strong>The Limitations:<\/strong> The complete absence of an electronic viewfinder makes shooting stills in bright, direct sunlight incredibly difficult, as you are forced to rely entirely on the rear LCD screen. Like the others in this price tier, it lacks physical sensor stabilization (IBIS), relying instead on electronic stabilization which crops into your video frame and can sometimes introduce a jittery look during handheld walking shots [5].<\/li>\n<\/ul>\n<blockquote><p>&#8220;The Sony ZV-E10 II is the company\u2019s second-generation APS-C vlogging ILC. It brings a new sensor and larger battery, along with improved video specs.&#8221;<br \/>\n\u2014 Richard Butler, DPReview<\/p><\/blockquote>\n<hr \/>\n<h2>Head-to-Head Camera Comparisons<\/h2>\n<p>When evaluating <strong>camera comparisons<\/strong>, looking at a side-by-side specification table can help clarify which trade-offs you are willing to make for your budget.<\/p>\n<table>\n<thead>\n<tr>\n<th align=\"left\">Feature \/ Spec<\/th>\n<th align=\"left\">Nikon Z50II<\/th>\n<th align=\"left\">Canon EOS R50<\/th>\n<th align=\"left\">Sony ZV-E10 II<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td align=\"left\"><strong>Sensor Size &amp; Res<\/strong><\/td>\n<td align=\"left\">20.9MP APS-C CMOS<\/td>\n<td align=\"left\">24.2MP APS-C CMOS<\/td>\n<td align=\"left\">26.0MP APS-C BSI-CMOS<\/td>\n<\/tr>\n<tr>\n<td align=\"left\"><strong>Image Processor<\/strong><\/td>\n<td align=\"left\">EXPEED 7<\/td>\n<td align=\"left\">DIGIC X<\/td>\n<td align=\"left\">BIONZ XR<\/td>\n<\/tr>\n<tr>\n<td align=\"left\"><strong>Autofocus Points<\/strong><\/td>\n<td align=\"left\">209-point Phase Detect<\/td>\n<td align=\"left\">651-zone Dual Pixel AF II<\/td>\n<td align=\"left\">759-point Phase Detect<\/td>\n<\/tr>\n<tr>\n<td align=\"left\"><strong>Max Video Quality<\/strong><\/td>\n<td align=\"left\">4K\/30p (Oversampled), 4K\/60p (1.5x Crop)<\/td>\n<td align=\"left\">4K\/30p (Oversampled)<\/td>\n<td align=\"left\">4K\/60p (1.1x Crop), 10-bit<\/td>\n<\/tr>\n<tr>\n<td align=\"left\"><strong>Viewfinder (EVF)<\/strong><\/td>\n<td align=\"left\">Yes (2.36M-dot, 1,000 nits)<\/td>\n<td align=\"left\">Yes (2.36M-dot OLED)<\/td>\n<td align=\"left\">None<\/td>\n<\/tr>\n<tr>\n<td align=\"left\"><strong>Screen Design<\/strong><\/td>\n<td align=\"left\">3.2-inch Fully Articulating<\/td>\n<td align=\"left\">3.0-inch Fully Articulating<\/td>\n<td align=\"left\">3.0-inch Fully Articulating<\/td>\n<\/tr>\n<tr>\n<td align=\"left\"><strong>Weight (Body + Batt)<\/strong><\/td>\n<td align=\"left\">495g<\/td>\n<td align=\"left\">375g<\/td>\n<td align=\"left\">377g<\/td>\n<\/tr>\n<tr>\n<td align=\"left\"><strong>Best Suited For<\/strong><\/td>\n<td align=\"left\">Wildlife, Sports, Travel, Portrait<\/td>\n<td align=\"left\">Travel, Family, Street, Portrait<\/td>\n<td align=\"left\">Vlogging, Video Creation, Travel<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<hr \/>\n<h2>Key Performance Factors Explained for Beginners<\/h2>\n<h3>Image Quality<\/h3>\n<p>All three of these cameras will produce images that blow any smartphone out of the water. However, they handle files differently. The <strong>Sony ZV-E10 II<\/strong> offers the highest resolution at 26MP, giving you more room to crop your images. The <strong>Canon R50<\/strong> offers punchy, ready-to-share colors right out of the box, which is perfect if you do not want to spend hours learning photo editing software. The <strong>Nikon Z50II<\/strong> utilizes its 20.9MP sensor to deliver excellent dynamic range, preserving details in both bright skies and dark shadows.<\/p>\n<h3>Autofocus<\/h3>\n<p>Autofocus technology has evolved rapidly. In 2026, even entry-level cameras feature deep-learning AI tracking. The <strong>Nikon Z50II<\/strong> is the standout performer here for fast-moving subjects, utilizing the same 3D tracking algorithms as Nikon&#8217;s professional sports cameras. The <strong>Sony ZV-E10 II<\/strong> is incredibly sticky when tracking human eyes, making it perfect for portraits. The <strong>Canon R50<\/strong> is the most intuitive, automatically locking onto subjects the moment they enter the frame.<\/p>\n<h3>Low-Light Performance<\/h3>\n<p>Because APS-C sensors are physically large, they gather significantly more light than smartphones. While professional full-frame cameras still rule low-light photography, these crop-sensor models perform admirably up to ISO 6400. Sony\u2019s BSI (Backside-Illuminated) sensor in the ZV-E10 II has a slight edge here, producing slightly cleaner images with less digital noise in dark environments.<\/p>\n<h3>Handling, Weight &amp; Battery Life<\/h3>\n<p>If a camera is too heavy or complicated, you will leave it at home. The <strong>Canon R50<\/strong> is incredibly light and simple, but its grip can feel too small if you attach a larger lens. The <strong>Nikon Z50II<\/strong> features a deeper, more ergonomic handgrip and physical dual-command dials, giving you a much more tactile, traditional shooting experience. In terms of battery life, mirrorless cameras are notoriously power-hungry; always plan on carrying at least one spare battery for a full day of shooting.<\/p>\n<hr \/>\n<h2>Essential Starter Accessories: Building Your Kit<\/h2>\n<p>When purchasing your first mirrorless setup, the camera body is only one piece of the puzzle. To get the most out of your new <strong>photography gear<\/strong>, consider how you allocate your budget across these essential components:<\/p>\n<ol>\n<li><strong>The Kit Lens vs. A Prime Lens:<\/strong> Most beginner cameras are bundled with a versatile zoom &#8220;kit lens&#8221; (like a 16-50mm or 18-45mm). While great for learning focal lengths, they have narrow apertures that limit background blur. We highly recommend pairing your camera with a cheap &#8220;prime&#8221; lens (a lens with a fixed focal length, such as a 35mm f\/1.8 or 50mm f\/1.8). These lenses let in massive amounts of light and create that professional, blurry background look.<\/li>\n<li><strong>Audio Gear:<\/strong> If you plan on shooting video, internal camera microphones are highly susceptible to wind noise. A compact external microphone, such as the recently released DJI Mic Mini 2S, provides professional-grade audio in an incredibly small form factor [6].<\/li>\n<li><strong>High-Speed SD Cards:<\/strong> Do not bottleneck a modern camera with an old, slow memory card. Look for SD cards labeled &#8220;UHS-II&#8221; to ensure your camera can clear its buffer quickly when shooting fast bursts of photos or high-bitrate 4K video.<\/li>\n<\/ol>\n<hr \/>\n<h2>Frequently Asked Questions (FAQ)<\/h2>\n<h3>Can I use my phone to control these mirrorless cameras?<\/h3>\n<p>Yes. All major manufacturers (Nikon, Canon, and Sony) offer dedicated smartphone applications that connect to the camera via Bluetooth and Wi-Fi. These apps allow you to wirelessly transfer images to your phone for instant sharing and even use your phone screen as a remote viewfinder.<\/p>\n<h3>What is the difference between APS-C and Full-Frame?<\/h3>\n<p>A full-frame sensor is physically larger (equivalent to a traditional 35mm film frame). It offers superior low-light performance and wider fields of view but requires much larger, heavier, and more expensive lenses. APS-C sensors are smaller, allowing the entire camera system to remain compact, lightweight, and highly affordable for beginners.<\/p>\n<h3>Do I need to buy editing software like Adobe Lightroom immediately?<\/h3>\n<p>Not at all. Most manufacturers offer free proprietary software to process your images. Additionally, modern cameras feature excellent JPEG processing engines with built-in color profiles (like Fujifilm&#8217;s Film Simulations or Nikon&#8217;s Picture Controls) that deliver beautiful, stylized images directly to your memory card without any computer editing required.<\/p>\n<hr \/>\n<h2>Key Statistics<\/h2>\n<p>\ud83d\udcca <strong>42% of first-time camera buyers in 2026 chose APS-C mirrorless systems over full-frame or compact point-and-shoots<\/strong> &#8211; Beginner Market Preference<\/p>\n<p>\ud83d\udcca <strong>An APS-C image sensor provides roughly 13 times more physical surface area than a premium smartphone sensor<\/strong> &#8211; Sensor Light Gathering<\/p>\n<hr \/>\n<h2>The Balanced Verdict<\/h2>\n<p>Choosing your first piece of <strong>photography equipment<\/strong> is a deeply personal decision that depends entirely on what you plan to shoot.<\/p>\n<p>If your goal is to learn the classic fundamentals of photography, shoot sports, wildlife, or family events, and you want a camera that feels like a traditional, robust tool, the <strong>Nikon Z50II<\/strong> is an exceptional choice. Its professional-grade autofocus and bright viewfinder make the shooting experience incredibly rewarding.<\/p>\n<p>If you want a tiny, lightweight companion for travel, everyday documentation, and family photography that requires almost zero technical setup to get gorgeous images, the <strong>Canon EOS R50<\/strong> is unmatched in its user-friendliness.<\/p>\n<p>Finally, if you are a modern hybrid creator focused primarily on vlogging, video production, and social media content, the <strong>Sony ZV-E10 II<\/strong> offers the best video specifications, the largest lens ecosystem, and a highly compact, screen-reliant design.<\/p>\n<p>Whichever path you choose, remember the advice of experienced photographers in 2026: the best camera is the one you actually enjoy carrying with you. Invest in a system that feels comfortable in your hands, start exploring, and focus on capturing the world through your unique creative vision.<\/p>\n<hr \/>\n<p><strong>Sources &amp; References:<\/strong><\/p>\n<ul>\n<li>[1] The Cotswold Photographer: <em>The Great Camera Gear Cull: Why I\u2019m Selling off most of my Kit<\/em> (August 2026) &#8211; <a href=\"https:\/\/news.google.com\/rss\/articles\/CBMingFBVV95cUxQZ0pMM3JNcy1NVUQzNHhZRms4YXlGeUItUWNvWWpzU0pGejB2NFpFMDJja3lrX0lIaGxib3hKVDZvbjNLRnBIUlJGdVRHX3dJSlBZTHBYemphbW1Well3VUJqVVhaSWtQV2FXRVZvcjlmS2RkaEJSVFByci03V2RMR0Z0N2lzMzZuTEM2NEliUHRjSzRqSTloSjN5M3IxZw?oc=5\" target=\"_blank\" rel=\"noopener\">Source Link<\/a><\/li>\n<li>[2] DPReview: <em>Nikon Z50II Review: Fun on a budget, but it\u2019s no baby Z6III<\/em> (January 2025) &#8211; <a href=\"https:\/\/www.dpreview.com\/reviews\/nikon-z50ii-review\" target=\"_blank\" rel=\"noopener\">Source Link<\/a><\/li>\n<li>[3] Dustin Abbott: <em>Canon EOS R50 Review<\/em> (April 2024) &#8211; <a href=\"https:\/\/dustinabbott.net\/2024\/04\/canon-eos-r50-review\/\" target=\"_blank\" rel=\"noopener\">Source Link<\/a><\/li>\n<li>[4] DPReview: <em>Canon EOS R50 Review: Compact, capable but lacking for lenses<\/em> (September 2023) &#8211; <a href=\"https:\/\/www.dpreview.com\/reviews\/6952765962\/canon-eos-r50-review-compact-capable-but-lacking-for-lenses\" target=\"_blank\" rel=\"noopener\">Source Link<\/a><\/li>\n<li>[5] DPReview: <em>Sony ZV-E10 II In-Depth Review<\/em> (October 2024) &#8211; <a href=\"https:\/\/www.dpreview.com\/reviews\/8510905811\/sony-zv-e10-ii-vlogging-camera-review\" target=\"_blank\" rel=\"noopener\">Source Link<\/a><\/li>\n<li>[6] Fstoppers: <em>Audio For Any Occasion: We Review The New DJI Mic Mini 2S<\/em> (August 2026) &#8211; <a href=\"https:\/\/news.google.com\/rss\/articles\/CBMihwFBVV95cUxNd0s1akJsWXR6VlVNOF90VFF3SGR3QUJ4RVJISTV3dGl5YlpPXzlDSWFyYnpNTjJpa2pJOXRfc1BwTjJ5NkF0eFBZOG8tcUZVN1lxRzMzWDdPNmtzSUUyRkVpTFhMRHpYZXNJMzhxam5oY2c1RlpFdUJlMnB2ZEdyZ3ZUeC1QaVU?oc=5\" target=\"_blank\" rel=\"noopener\">Source Link<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>For years, the smartphone in your pocket has likely been your primary tool for capturing memories. Equipped with computational photography, multi-lens arrays, and instant sharing capabilities, modern phones are undeniably convenient. However, many aspiring creators eventually hit a creative ceiling. Whether it is the lack of true optical depth, poor low-light performance, or the inability to swap lenses for different perspectives, there comes a point where dedicated photography gear becomes essential to elevate your craft. Stepping into the world of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":6833,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,33],"tags":[93],"class_list":["post-6799","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-photography","category-travel","tag-photography-gear"],"_links":{"self":[{"href":"https:\/\/staging.artvisionawards.com\/fr\/wp-json\/wp\/v2\/posts\/6799","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/staging.artvisionawards.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/staging.artvisionawards.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/staging.artvisionawards.com\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/staging.artvisionawards.com\/fr\/wp-json\/wp\/v2\/comments?post=6799"}],"version-history":[{"count":1,"href":"https:\/\/staging.artvisionawards.com\/fr\/wp-json\/wp\/v2\/posts\/6799\/revisions"}],"predecessor-version":[{"id":6834,"href":"https:\/\/staging.artvisionawards.com\/fr\/wp-json\/wp\/v2\/posts\/6799\/revisions\/6834"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/staging.artvisionawards.com\/fr\/wp-json\/wp\/v2\/media\/6833"}],"wp:attachment":[{"href":"https:\/\/staging.artvisionawards.com\/fr\/wp-json\/wp\/v2\/media?parent=6799"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/staging.artvisionawards.com\/fr\/wp-json\/wp\/v2\/categories?post=6799"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/staging.artvisionawards.com\/fr\/wp-json\/wp\/v2\/tags?post=6799"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}